The Crows of Crows Feet

  • Carolyn McKeefry's picture

    In my dance school I teach ballet to all ages. My professional dancing career includes ballet, cabaret and belly-dancing.

     Every year I visit India. And I have often led the Crows in a true ballet warm-up, in contrast to their usual style.

  • Daphne Pilaar's picture

    I'm the team leader for the Push-Play programme run by the Wellington City Council.

     

    I've had 20 years experience as a primary teacher and in community performing arts and recreation. I love swimming, biking, dancing, walking for my own well being and playing just about any sport or game for fun.

  • Denise Hitchcock's picture

    Crow's Feet for me is more than a dance group. 

    The Crows are a fantastic group of women who step, run, roll, shake, climb and sometimes leap through life with an energy that is infectious. 

    The decision to join this group was not difficult - just seeing one of the performances was enough for me to know that this was a very special group of dancers, and that even though my own dance experience was not extensive, there was probably a place for me somewhere. 

    I've been with Crows since 2006 and love being part of the group. Jan is a fantastic choreographer who manages to bring together this group into performance every year. In my other life I have a nine year old son, and I work in education.  I have been a primary and secondary school teacher, an adviser, and currently I am with the Secondary Literacy Project.
     

  • Elise Anderson's picture

    I have worked  with the Artsplash dance students at Muritai Primary School.

    With a young family, it's not always easy for me to get to rehearsals.

  • Elizabeth Isaacs's picture

    Originally from Palmerston North I spent much of my youth performing in dance and theatre shows.

    After twenty years away from the stage it was with some trepidation I joined Crows Feet in 2007, seven weeks prior to curtain up on ‘Going for Baroque’! But I haven’t looked back! The Crows are the most amazing and talented bunch of women and it a great joy to be part of them. 

    For many years I lived in London, where I worked as a librarian/museum curator. More recently I have been doing some work for DANZ as a researcher and writer. I am married with one son, aged eight, who wants to be the next lighting designer for Crows should Katrina Chandra be unavailable.
     

  • Gay Puketapu-Andrews's picture

    Tena koutou tatou katoa. I am the newest member of the group, as at December 2009.

    I'm living on the beautiful Kapiti Coast, with Iwi connections to Ngati Toa and Te Ati Awa.

    Since my teenage years it has been my heart’s desire to dance and I am very grateful to Crows Feet for providing me with this opportunity. 

    Outside of the group, I enjoy being with my whanau and working in my private practice as a counsellor, supervisor and educator.
     

  • Gill Clark's picture

    I dance with Crows Feet. They tell me I made a convincing corpse in Requiem.

     I hardly ever miss a rehearsal. I don't know what they'd do without me. Errr ...well actually I don't know what I'd do without them. My background is born and bred Wellingtonian, my work is design/production for advertising, my play is in the garden and dancing. I started dancing with Leigh Brewers Aerobic Dance many years ago and that has inspired me to experience other dance styles. I own one grumpy male tabby cat

  • Jan Bolwell's picture

    I have been artistic director of Crows Feed Dance Collective for nearly ten years.
     

    Fifteen dance works later, I am as enthusiastic about creating dances for the Crows as I was when I started.

    Not many people in this world get the chance to choreograph for a troupe of eighteen singular and splendid women. I'm sure we'll still be kicking up our heels when we're eighty - although we will probably need a few sixty year olds to do the hard, athletic stuff!!
     

  • Jennifer Holdaway's picture

    I'm into my ninth year with Crows Feet - full on exciting challenges that just keep coming, thanks to Jan, as we grow and evolve.

    My life is full of creativity as an artist and crafter, which spills over seamlessly into Crows Feet. Over time my role has expanded to include not only dance but set design and build, properties and anything else I'll put my hand up for. I can't resist challenges like how to make a large sculpture with the feeling of water, that can be assembled on stage; how to convey 18th Century panniers light enough to wear in contemporary dance; and pedestals that reflect light through water creating depth of mood.

    Our latest show gets me thinking about what can be achieved through dance with kitchen utensils. The realm of experimentation - elasticity of cloth, balance and counter balance, and what our minds need to make something real and believable. Lots of interesting work ahead.

  • Jenny Cossey's picture

    I am an intrepid mountain biker, tramper and traveller. I have just completed walking South Island, criss crossing the main divide and having numerous adventures in the hills.

    Currently a specialist primary school dance and drama teacher, I am able to choreography dances and devise dramas every week for my living. I enjoy writing and creating school productions that include dance, film, song and music. A producer of dance CD resources for schools, which include NZ Music for Creative Dance One and Two, Danceabout and Springsound. A founding trustee of Youthdance Education Trust and currently organiser of Wellington's International Dance Day, May 2nd at Te Papa.

  • Jo Thorpe's picture

    I lecture in Dance History at the NZ School of Dance in Wellington. 

     I grew up in Gisborne and after graduating from Auckland University in 1968, lived for years at a stretch in south-east Asia, New York and Australia.

    Having danced nearly all my life - though never professionally - I joined Crows feet nearly 10 years ago. 

    I have an MA in Creative Writing from Victoria University and my first book of poetry, 'Len and other poems', was published in 2003 by Steele Roberts.

    I have three daughters, 3 grandchildren and have just turned 60.
     

  • Kirsty Winter's picture

    Hi, I’m Kirsty Winter. I am a mother, a nurse and a Diversional Therapist.

    I have nearly completed a 3-year training as an Extra Lesson Practitioner. I work at the Dawn Trust with intellectually and physically disabled people — some severely disabled.

    Dancing is my soul food and keeps me sane. I have danced on and off over the years since the age of 24 — in an out of pregnancies and having my babies.
     

  • Lee Dunn's picture

    I saw the Crows perform Requiem in March 2008 and immediately wanted to be a part of it

    I've been dancing for about 10 or 11 years, mainly contemporary evening classes while living in London. When I came back to New Zealand at the end of 2007 I was on the lookout for classes or a group that I could join in Wellington. A friend got tickets for Requiem at the fringe in March 2008 and I watching it I felt it was something I would love to be involved in. I joined in early May last year and now here I am in the fringe myself! It's fantastic to be involved with such a talented, inspiring bunch of women.

  • Liz Melchior's picture

    I love Crows and I get very annoyed when I injure myself.

     I am proud to be one of the dancing grandmothers.

    I work at Victoria University as a dance lecturer, and I'm an advocate for dance in primary and secondary schools. Previoiusly I was an Assistant Principal, with curriculum responsibility for the arts in my school.

  • Lynne Klap's picture

    I have been a teacher, professional freestyle skier and now an event manager with a sunlight business in massage.

    Although sport has been my career, I have always loved dance and my favourite discipline as a freestyle skier was the ballet. What people don't know about me is I have been a Baha'i for 22 years. I joined Crows Feet 4 years ago and am still trying to dance like no one is watching. Big progress is I no longer need 'rescue remedy' when we perform in public, well maybe just for the opening night. What I love about Crows is the diversity of women, the inclusive supportive environment and Jan's boundless enthusiasm. The highlight of last year was becoming a dancing Grandmother too

  • Meg Bailey's picture

    I work in the National Library and am one of the dancing grandmothers.

    My mother, Rona Bailey, was a pioneer of modern dance in New Zealand, so I can't help loving dance too.

  • Rachel McAlpine's picture

    I'm the oldest member of Crows Feet but one of the most enthusiastic.

    As a child, I was "the clumsy one" and sent to remedial ballet for a year. Since then, rock'n'roll, square dancing, quickstep, Scottish Country Dancing, jazzercise ...  but I love Crows Feet best by far. I joined around 2004. Sally was injured. So in one strenuous part of the performance, she simply walked across the stage - ever so gracefully! - with a vase. I could do that, I thought. My work: training people to write web content, and writing books.

  • Sally Latham's picture

    Well I'm gorgeous! What more can I say?

     

    I work as a counselor, which is demanding work. So I keep an eye on life-work balance. In my free time I do lots of swimming and walking; I also do a form of Tibetan exercise. I go to funny movies rather than sad ones. I really try to look after myself and make sure I have lots of fun.

    Oh yes, and I am one of the older Crows.

  • Sue Leask's picture

    I have danced for most of my life in a variety of styles (ballet and contemporary being my favourites) - but never professionally. Dancing is a very important part of my life.

    I am a trained Primary School Teacher and through my job, and privately, I have taught children dance in the classroom, and for concerts and productions. I am married with three school-aged children. My two girls, Isabelle and Simone, danced with me in Crowsfeet's Requiem in 2008 - a very special experience. I have been a member of Crowsfeet since 2000.

  • Tania Kopytko's picture

    I have been the Executive Director of DANZ - Dance Aotearoa NZ the service organisation for the dance industry, since August 2004.

     

    Originally from Palmerston North, and of Belarusian and New Zealand descent, I started by learning ballet from the age of 7. I have a particular interest in community dance.

    I completed a PhD in dance anthropology at the Queen's University of Belfast, Northern Ireland in 1991. My topic: comparing ballet and breakdance - looking at who owns, controls, and teaches the styles and their cultural, social, and economic context.

    I've worked in arts and dance administration, taught dance at community and tertiary level, and worked freelance using art as a tool for community development.